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Pit bull photo collage, hanging above a sideboard

Pit bull photo collage, cut to a pit bull standing square

$9.99

A pit bull photo collage, cut to the outline of a pit bull standing square and seen side-on, filled with your own photographs. The drawing is doing something particular: it is a wide dog, 1.423 across to tall, which puts it third among the dogs sold here behind the dachshund and the German Shepherd and ahead of the Labrador - so it wants a landscape sheet, and on a square one it would spend a third of the paper on margin. It is also an open outline, 35.6% of its box ink, which among the dogs only the Dobermann beats. That emptiness is the deep chest, the daylight under the body and the gap between the legs, and it is why the figure reads as a dog standing rather than as a slab. The one thing the layout had to be told about is the tail, which is carried up and is thin enough to come out empty if the cells are allowed to get too fussy; this template accepts smaller cells than the bulldog does for exactly that reason. The two lines underneath are editable text in Canva.

See how it works in Canva: watch the how-to video.

How many photos fit

Every figure comes from the layout engine rather than a rule of thumb. The suggested count is where each photograph prints about two inches on each edge - large enough to make out a face across a room. Because this collage is cut to an outline rather than filling the sheet, that is far fewer photographs than a plain grid of the same size takes. The minimum is 9 photos; below that, parts of the outline can be left without a photo.

Print size Photos Suggested
12 × 12″ 9–60 9
18 × 12″ 9–100 15
20 × 16″ 9–140 20
24 × 16″ 9–170 25
20 × 20″ 9–180 20
30 × 20″ 9–275 45
24 × 24″ 9–250 30
36 × 24″ 9–375 60
40 × 30″ 9–525 90
54 × 36″ 9–875 150
60 × 40″ 9–1075 180

Questions

How many photographs does a pit bull photo collage need?

The floor in the table above holds, and the part of the figure that decides it is the tail rather than the head. The head, chest and legs are all broad enough to take photographs at any count on the table - at the minimum the stance, the blocky skull and the deep chest are all unmistakable. The tail is the fine part, and it is the reason this template accepts smaller cells than the broader dogs do. If you want it to taper rather than simply be present, the higher counts are where that happens. Below the floor the tail goes first and the dog starts to read as a generic quadruped.

Is this the American Bully?

No, and both are sold here, so it is worth knowing which page you are on. The American Bully is drawn 1.200 wide to tall - a shorter, thicker, more compact dog, low to the ground and heavy through the shoulder. This one is drawn 1.423, longer in the body and noticeably longer in the leg, with a deeper tuck under the loin and a thin tail carried up. Side by side the difference is the proportion rather than the detail. If your dog is the stocky modern type bred for bulk, the American Bully outline will look more like him.

Mine is a Staffie. Does this outline work?

For a Staffordshire Bull Terrier it will read well, and so it will for an American Staffordshire Terrier or an American Pit Bull Terrier - at silhouette scale the differences between them are height and head width, and neither survives being reduced to an edge. A Staffie is the shortest-legged of the group, so if yours is a particularly low, broad one you may prefer the American Bully. There is no ear question to settle here because the drawing has the ears up and small either way.

Why is the print so wide?

Because the dog is, and squaring it would mean either cropping the figure or floating it in empty paper. At 1.423 across to tall this is the third widest dog outline sold here. The pages for it offer the landscape sizes for that reason, and the mockups are shot against the open-wall settings rather than the square frame - a frame photographed square cannot hold a shape this wide without letterboxing it, so those plates are not offered rather than being offered badly.

There is a lot of white paper around him. Is that right?

Yes, and it is the second most open dog outline we sell, after the Dobermann. Just over a third of the rectangle is dog; the rest is the space under the chest, between the legs and above the back line. Closed up, the silhouette stops being a standing dog and becomes a block. Printed, the empty area is the same colour as the margin and reads as air. If you would rather the paper worked harder, the bulldog fills 58% of its box and the French Bulldog 54%.

Will the breed read badly to anyone?

It is an honest question and the answer is that a silhouette carries no expression, which is most of what people react to in a photograph of this breed. What the outline shows is a standing dog with a square front and a thin tail. What the print shows is whatever is in your photographs. We named the sample lettering the way we did because that is what most of these end up being: a dog somebody loved, on a wall.

What arrives, and is the wording fixed?

A Canva template with the outline cut and every cell positioned, opening in a free Canva account. You place the photographs, set or delete the lettering, and export it to print wherever suits you. Nothing ships from here. The lettering is live text, so the name, the dates, the typeface and the size are all yours to change, and so is the decision to have none at all.

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